Bharateeyans Movie Review – Gudstory Org
Story: Six young men and women are accused of a serious crime called murder. They are offered a chance to regain their freedom and protect their families by undertaking a secretive mission. This mission takes them into a dangerous area controlled by the people they consider enemies. They soon discover a plot that could harm India very badly. Now, they face a difficult choice: should they prioritize their country or their own families? Who will they choose to save, and can they successfully prevent the impending attack?
Review: Filmmaker Deena Raj attempts to create a thrilling patriotic film aimed at inspiring young audiences. The story revolves around six characters, three young men and three young women, who are referred to by their regional identities—Telugu (Nirroze Putcha), Bhojpuri (Subha Ranjan), Nepali (Sonam Thendup Barphunga), Punjabi (Samaira Sandhu), Tripura (Peden O Namgyal), and Bengali (Rajeswari Chakraborty). The plot kicks off with these individuals coming together after being offered a chance to escape murder charges and protect their families. They are compelled to embark on a mysterious mission orchestrated by powerful figures. The narrative then follows their training to infiltrate enemy territory, assisted by a smuggler named Tamil. The ultimate question is whether they can prevent the impending threat.
While the movie aims to emphasize patriotism, family values, and love, the execution falls short due to poor writing and inconsistent treatment. The storyline heavily relies on the clichéd trope of releasing a deadly virus in India, and the villains, such as a High Command official (Mahendra Bagdas) and his wicked son (Phurba Lama), come across as stereotypical. As the film stretches over 157 minutes, the prolonged subplots, including a vengeful Marathi matriarch hunting down her son-in-law and secret agents being killed by the enemy father-son duo, contribute to a disjointed and sloppy narrative. Numerous elements feel forced, such as the contrived love story between the characters, the animosity between the Bhojpuri and Telugu characters, and the presence of a double agent among the six individuals.
The only redeeming aspect of the film is its cinematography by Jayapal Reddy Nimmala, while the performances fall below average, despite the passable action sequences. Overall, the story lacks credibility, the narrative lacks depth, and the exaggerated performances fail to elicit any emotional response.
